7 ACTIVE FREQUENCIES
"I find I like to work with a lot of the same actors, because I find that there's sort of shorthand there, and there is this unspoken trust, both ways. They trust me and I trust them. And I know what I'm going to get from them, to an extent. It's just fun, kind of creating this little family."
"I think that 'Hangover II' is as funny as 'The Hangover I, ' honest to God, but I think that it's a little bit darker, and the stakes are a little bit higher."
"You know, if I started worrying about what the critics think, I'd never make another comedy. You couldn't pick a less funny group than critics - you couldn't find a more bitter group of people!"
"Comedy is so subjective. You could be in a room with 400 people laughing at a joke and you could just not think it's funny. You're just sitting there like, 'Am I in the twilight zone? Why is everyone laughing?' It's such a personal thing. People have such a personal visceral response to comedy."
"I think people like comedies and I think concept driven comedies seem to be working when it's a clear concept and you deliver funny stuff."
"There's a darkness under 'The Hangover' because ultimately there's a missing person and it's not really that funny. There's a sort of darkness under it that I love, and still people are laughing as hard if not harder than they did in 'Old School.'"
"There's a punk-rock attitude, clearly, to 'Hated.' There's even a punk-rock attitude to 'The Hangover, ' I think. We start the movie with a Glenn Danzig song."